A new golden age, FORGOTTEN TENORS in Italy - Opera Nostalgia

Achille Braschi Tenoretic Generic Name Sale

A new golden age, FORGOTTEN TENORS in Italy - Opera Nostalgia
But names like Bellon, Cestari, Francardi and Gentilini will hardly strike a note, ... Achille Braschi too is one of those wide vibrato-owners, very wide some would ...

Achille Braschi Tenoretic Generic Name Sale

Of course this is only small carping compared with the merit of these cds and sleeve notes. He also appeared successfully throughout his career in concert and recital. This recording was made in milan for the cetra label in 1951 with arturo basile at the podium.

Berdini too displays a true spinto voice somewhat less richly endowed than bellon but still very impressive. Pau (not pablo as mentioned here he was catalan and not castilian) civils wally too can be found on the catalan cd devoted to his art. The collecting community expects everyone to do his duty.

Italian and one catalan tenor who recorded with cetra (compagnia editoriale  teatrale radio audizione or the italian public radios own label). Achille braschi too is one of those wide vibrato-owners, very wide some would say, but he is vibrant and id loved to hear more from him though he probably didnt make another recording (apart from a few arias on a french lp and a live selection of arias circulating among collectors). He did not attract attention by performing in verismo operas like pagliacci at a number of regional and open-air theatres.

You rob us of another interesting volume and in a few years time you cannot play these copies anymore. Maybe only del monaco in his best 1956 recital outclasses him but one has to listen to bergonzi in his heydays struggling to dominate the orchestra to realize what a vocal feat civil delivers. Remarkable for an italian tenor of the fifties is his sense of style, his shading and mastery of mezza voce.

Some collectors will already possess the clama-cd where one can find these two chénier-arias. Campagnano we all know from his complete fanciulla  and manon lescaut on cetra and he was one of the best italian dramatic tenors of his day. It often shortened their careers but exciting it was.

Corelli was over 30 when he made his début and not 28. But impressive is the least one can say about this tenore di forza. But these 6 arias were recorded in his heydays and there is no duplicating with the 2 bongiovanni cds. I could easily have done without  the two giovanni breviario items as they already appeared on another issue of the record collector. Therefore, please buy this issue or the promised treasures will never come our way.


Achille Braschi - Siciliana - YouTube


Nov 22, 2017 ... Not a great deal of information is available regarding the career of the Italian dramatic tenor Achille Braschi (1909-1983). Born in Rome, he ...

Achille Braschi Tenoretic Generic Name Sale

Golden Age of Forgotten Italian Tenors, Vol. I (2-The Record ...
... Licinio Francardi, Leonida Bellon, Amerigo Gentilini, Pablo Civil, Vasco Campagnano, Achille Braschi, Augusto Ferrauto, Giovanni Breviario & Franco Corelli.
Achille Braschi Tenoretic Generic Name Sale Nov 22, 2017. The recording can also be heard on the complete cetra with simionato and is widely available in all kinds of transfers though the record collector offers their own transfer. I only knew his beautiful matrimonio segreto aria thanks to a long gone dutch radio broadcast and i am grateful for the other five arias. Not a great deal of information is available regarding the career of the italian dramatic tenor achille braschi (1909-1983). The cds  start with two arias by the to me unknown leonida bellon a wide vibrato but the true golden sound of the italian tenor. Then its time for the king of squillo mario filippeschi. Born in rome, he began studying with manfredi polverosi at the age of 21 and made his official debut in bari as don alvaro in la forza del destino in 1934, Following his retirement from the stage in the late 1960s, he became a respected vocal coach in his native rome, where he passed away in 1983. Thanks to some warner and bongiovanni issues and re-issues of a bit of the output of some of them like berdini, braschi, breviario, campagnano, civil and filippeschi are not forgotten at all and with each year franco corellis reputation is still growing among opera lovers. He is at his very best in two arias by gomes who can almost compete with the caruso recordings.
  • A new golden age, FORGOTTEN TENORS in Italy - Opera Nostalgia


    He did not attract attention by performing in verismo operas like pagliacci at a number of regional and open-air theatres. I only knew his beautiful matrimonio segreto aria thanks to a long gone dutch radio broadcast and i am grateful for the other five arias. The last of the bunch is amerigo gentilini with arias from tosca and butterfly, so no duplicating with the items to be found on the lp voci pisane. His high lying and personal dark but cutting voice rides easily on this melodious but long and murderous music. Of course these two arias are not rare and personally i would very much have liked two other cetras of the same period pecché and cancion moresca the two cetra corelli recordings which never made it on either lp or cd.

    You rob us of another interesting volume and in a few years time you cannot play these copies anymore. But names like bellon, cestari, francardi and gentilini will hardly strike a note, even among hardened collectors. Italian and one catalan tenor who recorded with cetra (compagnia editoriale  teatrale radio audizione or the italian public radios own label). This recording was made in milan for the cetra label in 1951 with arturo basile at the podium. Filippeschi is the example of metal in the voice and he has the quality which can generate so much excitement in italian tenors the higher the voice goes, the more beautiful and impressive it sounds.

    The good news is that alan bilgora and producer larry lustig intend to produce a second volume with names like valetti, prandelli, poggi, soler, puma, lorenzi, lotti-camici, mattera, signorini, gero, monti. A complete cavalleria rusticana, a partial ada and an impossible to find album of arias for the obscure french label orbis are the extent of braschis recorded legacy. Although he appeared at such major operatic venues as naples teatro san carlo, maggio musicale fiorentino, romes teatro dellopera, the arena di verona and the opéra-comique, braschis was primarily a provincial career. Pau (not pablo as mentioned here he was catalan and not castilian) civils wally too can be found on the catalan cd devoted to his art. He is a fine lirico somewhat of a cross between tagliavini (whom he clearly copies in his ah non mi ridestar) and lauri-volpi. Born in rome, he began studying with manfredi polverosi at the age of 21 and made his official debut in bari as don alvaro in la forza del destino in 1934. His singing in aida and chénier is typical for the unsparing way of outpouring the voice almost all italian tenors used in the early fifties. Then we get 5 selections by the better known amedeo berdini who was in a few complete cetra-operas. Therefore, please buy this issue or the promised treasures will never come our way. Remarkable for an italian tenor of the fifties is his sense of style, his shading and mastery of mezza voce.

    But names like Bellon, Cestari, Francardi and Gentilini will hardly strike a note, ... Achille Braschi too is one of those wide vibrato-owners, very wide some would ...

    Achille Braschi - Siciliana - YouTube

    Nov 22, 2017 ... Not a great deal of information is available regarding the career of the Italian dramatic tenor Achille Braschi (1909-1983). Born in Rome, he ...
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